BVE is the event for content creation and delivery professionals from the UK and beyond. With over 300 exhibitors, including some of the biggest names in the industry, and hundreds of FREE seminars and workshops, BVE really is THE place for broadcast and production professionals to see, learn, experience and network.
No other show offers such a comprehensive mix of products and services for broadcast technology and creative content, relating to all areas of these diverse sectors. This is the only UK event to showcase products and services
from animation and asset management to AV, cloud computing, DVD duplication, finance, IPTV, meta data, mobile TV, monitors, recordable media and much more.
Date: 14th FEB -16TH FEB 2012
VENUE: Earls Court
for more info:
http://www.bvexpo.com
We are a dynamic and creative independent Film and TV company specializing in thought of provoking change in Africa style of production. Located in London,United Kingdom. Evon Media has produced and developed numerous independent short films and commercials under its supervision and also worked in conjunction with some companies in Uk, Usa, Nigeria, Sierra-Leone, Gambia, Uganda, Ghana and Mali. Making difference in a living world of Video technology.
Friday, January 13, 2012
Friday, December 16, 2011
TRUE LIFE STORY!!!
I have been observing a white man near my house for 2 years, he goes to work everyday with a walking stick, unfortunately he is blind but he walks to the train station for work. His journey to the station is10minutes walk from his house and he is known to comes back safely without any assistance. One day we suggested to him to be renting a car to work but he refused due to he does not want to be dependent on anyone, he replied. I learn't from him that truly where there are human disability there are abilities through God, Just believe and trust God.
Thursday, November 17, 2011
Queen Chioma(Miss Charity Uk 2011)
Thank you all for your support>>> I want to plead with you all to like this page.... Recently she won Miss Publicity Uk, Miss Charity Uk etc just bc of your support.... We have worked with her for couple of projects and We regard her as woman of multi-talents. We are Africans and we are representing!!! Africans have a lot of talents... May God bless you all as you like the page and support her.....
Regards
Victor
Director
EVON PRODUCTIONS LTD
http://www.facebook.com/MissCharityUK2011
Wednesday, September 28, 2011
Lizzy Show on Bentv Sky 184 Every Tuesday by 5pm
Lizzy Show which is on Bentv Sky 184 Every Tuesday by 5PM. The Lizzy Show provides a platform to enlighten some vital issues in the family, youth engagement in education and creativity, motivational speeches,debates,counseling and sharing good practice on Education in Uk etc.
Tuesday, September 20, 2011
Who is a DOP?
The role of DOP (Director of photography) on a live production
Dop is a also known as the DP. More than just a camera operator, he or
she controls the lighting, framing, composition and mood of your
shots. The DP is in charge of trying to realise, as closely as
possible, the shots that you want for your video, through the
appropriate use of lenses, camera angles, lights and filters.
On set or Location, The DOP needs to make sure the camera is
functioning properly, in right settings, format and the lighting
positioned effectively, then either the performance or the image may
suffer. The more talent and experience a DP has, the better your
production is going to look, which is why their role is such an
important one. Whether you are shooting on DV,35MM,HDV,BETCAM,TAPELESS
FORMAT etc, the DP ill give the Transmission Director the freedom to
mix the camera's shots using a video switcher/mixer.
Becoming a competent DOP takes years of training, especially if you
shoot on film camera ie 35mm film camera(I will explain more on types
of professional camera we have which are film and video camera. You
may read it up on net.)]]]
A DOP should be highly proficient at what you are asking them to do.
Whatever format you are shooting on, you want to achieve the
appropriate look without losing time or losing shots bearing in mind
that live production does not have anyway to repeat any shots you
missed because you can never repeat the event again. That' s why
proper planning are needed before shooting.
For any inquiry don't hesitate to contact me on
Wednesday, September 14, 2011
Queen Chioma Nworgu on face of Europe
Pls like this page www.facebook.com/queenchiomaforfaceoflondon and pls also vote for me to win Miss People's Choice Awards at Face of London. Only 4 days to go so please support me with text votes just for 4 days. Text face 15 to 84205.
I have known Queen for a while. I have done couple of productions with her. I regard her as a woman of multi-talents.... I wish her well in all her endeavor! Victor
Friday, June 4, 2010
About AVCHD>>>>
WHAT IS AVCHD?
If you’re not familiar with the new AVCHD codec I’ve outlined some of its technologies with some direct comparisons to the tape-based HDV codec.
Announced in 2006 by Sony and Panasonic, this new industry-standard format is now supported by more than 30 companies and implemented in numerous camcorders, NLE systems, and consumer HD playback devices.
The AVCHD codec is considerably more modern than the older HDV codec. It uses a variety of techniques to achieve greater efficiency than MPEG-2, especially at low bitrates and when dealing with difficult material. AVCHD should be capable of delivering really amazing results but we’ll get into real world performance later on.
What’s beyond debate is that HDV has a resolution of 1440x1080 and uses the MPEG-2 compression codec, while Sony NXCAM or Panasonic AVCHD on the other hand uses full 1920x1080 HD with the more modern MPEG-4 AVC/H.264 codec (H.264 is what Blu-ray and Sky HD broadcasts use). And of course AVCHD’s efficiency makes it ideal for tapeless operation: it uses SD (Secure Digital) and SD/HC (High Capacity) cards, Sony Memory Sticks and other solid-state flash drives such as Sony’s dedicated HXR-FMU128 128GB flash drive.
AVCHD has twice the compression efficiency and considerably improved video performance, especially at lower bitrates, over the older MPEG-2 compression algorithm used in the HDV codec. HDV uses a “constant” bit rate of 25 Mb/s whereas AVCHD camcorders such as the NX5 use a more efficient “variable” bit rate, with a maximum quality setting of 24 Mb/s.
In contrast with MPEG-2 (HDV), in which inter-frame compression based on the correlation between adjacent frames uses fixed blocks of 16x16 pixels, AVCHD divides the blocks into multi-sizes as small as 4x4 pixels. With this method, it is able to use large blocks to process images that show only slight changes on the screen, and smaller blocks to process images that have considerable change. This raises the accuracy of motion compensation, which in turn, boosts the quality of fast-motion images while increasing compression efficiency.
If you’re not familiar with the new AVCHD codec I’ve outlined some of its technologies with some direct comparisons to the tape-based HDV codec.
Announced in 2006 by Sony and Panasonic, this new industry-standard format is now supported by more than 30 companies and implemented in numerous camcorders, NLE systems, and consumer HD playback devices.
The AVCHD codec is considerably more modern than the older HDV codec. It uses a variety of techniques to achieve greater efficiency than MPEG-2, especially at low bitrates and when dealing with difficult material. AVCHD should be capable of delivering really amazing results but we’ll get into real world performance later on.
What’s beyond debate is that HDV has a resolution of 1440x1080 and uses the MPEG-2 compression codec, while Sony NXCAM or Panasonic AVCHD on the other hand uses full 1920x1080 HD with the more modern MPEG-4 AVC/H.264 codec (H.264 is what Blu-ray and Sky HD broadcasts use). And of course AVCHD’s efficiency makes it ideal for tapeless operation: it uses SD (Secure Digital) and SD/HC (High Capacity) cards, Sony Memory Sticks and other solid-state flash drives such as Sony’s dedicated HXR-FMU128 128GB flash drive.
AVCHD has twice the compression efficiency and considerably improved video performance, especially at lower bitrates, over the older MPEG-2 compression algorithm used in the HDV codec. HDV uses a “constant” bit rate of 25 Mb/s whereas AVCHD camcorders such as the NX5 use a more efficient “variable” bit rate, with a maximum quality setting of 24 Mb/s.
In contrast with MPEG-2 (HDV), in which inter-frame compression based on the correlation between adjacent frames uses fixed blocks of 16x16 pixels, AVCHD divides the blocks into multi-sizes as small as 4x4 pixels. With this method, it is able to use large blocks to process images that show only slight changes on the screen, and smaller blocks to process images that have considerable change. This raises the accuracy of motion compensation, which in turn, boosts the quality of fast-motion images while increasing compression efficiency.
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